BADBADNOTGOOD announce forthcoming album ‘Talk Memory’, release single ‘Signal From The Noise’

Canadian outfit BADBADNOTGOOD have announced they have a new album on the way titled ‘Talk Memory’, sharing the lead single ‘Signal From The Noise’.

Released earlier in the week, the first taste of their forthcoming record is a long one, running just over nine minutes. It’s something of a sonic journey, opening with experimental soundscapes before building into a psychedelic, jazzy crescendo.

The track arrived alongside an accompanying music video, directed by Duncan Loudon and starring Steve Stamp, from the BBC series People Just Do Nothing. It watches like a bizarre comedy, with Stamp’s character taping headphones over his ears and running amok in a public square, being repeatedly shooed away by security.


Watch it below.

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“It took a year or two of just living life to get to the place where the creative process was exciting again and once we actually went into the studio it was the most concise recording and writing process we’ve ever had,” the band said in a press statement.

“We hope that the improvised studio performances bring the listener closer to our live experience.”

The nine-track record is set to feature contributions from a host of musicians, including Arthur Verocai, Karriem Riggins, Terrace Martin, Laraaji, and harpist Brandee Younger, who has worked with Moses Sumney and Thundercat.

‘Talk Memory’ will mark the band’s first LP since 2016, when they released ‘IV’. The cut ‘Time Moves Slow’ from that record was recently reworked by producer VANO 3000 for the song ‘Running Away’, which has shot to TikTok virality.


‘Talk Memory’ is slated for release on October 8 via XL Recordings.

BADBADNOTGOOD’S ‘Talk Memory’ tracklist: 

1. ‘Signal From The Noise’
2. ‘Unfolding (Momentum 73)’ feat. Laraaji
3. ‘City Of Mirrors’ feat. Arthur Verocai
4. ‘Beside April’ feat. Karriem Riggins and Arthur Verocai
5. ‘Love Proceeding’ feat. Arthur Verocai
6. ‘Open Channels’
7. ‘Timid, Intimidating’
8. ‘Beside April Reprise’ feat. Arthur Verocai
9. ‘Talk Meaning’ feat. Arthur Verocai, Terrace Martin and Brandee Younger

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Interview with Adam Schultz: Blues music is at the foundation of everything I try to write: Video, Photos

Interview with NYC-based Adam Schultz, focuses on jazz and blues guitar, fusing the two genres in his own unique style.

How has the music influenced your views of the world and the journeys you’ve taken?

Blues music is at the foundation of everything I try to write. To me, one of the most important traits in the world and songwriting is honesty, and the blues is one of the most personal forms of music. Without Blues and Rock music, I’d be an entirely different person with different values and different experiences, because it’s given so much to me.

How do you describe your sound and songbook? Where does your creative drive come from?

My creative drive is influenced by whatever I’m listening to at the moment. I really enjoy finding genres and musicians I’ve never heard before, diving into their music, and pulling out ideas from them to combine into my style. I can’t say I have a specific sound, because I like variety and the freedom it gives me musically.

Which meetings have been the most important experiences? What was the best advice anyone ever gave you?

I think the best advice I ever received was to take it slow – at least in terms of music. I can’t accomplish all of my goals in a day, and not every song I create can fit onto one album. I’ve found it incredibly helpful as a guitarist and a songwriter to always be deliberate and honest with myself about every step of my process.

Are there any memories from gigs, jams, open acts and studio sessions which you’d like to share with us?

Playing onstage with Clarence Spady at Terra Blues when I was 14 years old was one of the most terrifying things I’ve ever done. I loved it. There’s really nothing like performing in front of a New York City crowd because they always expect more than you think you can deliver.

What do you miss most nowadays from the blues of the past? What are your hopes and fears for the future of?

I definitely miss the grit. I’m a younger guy, so my world has always been surrounded by technology and everything has become very corporate in the world. It’s hard to create authentic music in an industry that demands accessible music no matter the cost to the message.

If you could change one thing in the musical world and it would become a reality, what would that be?

I wish streaming would be more equitable for musicians. Everybody wants more music to be produced, and right now is the best time ever for smaller musicians to produce their own albums and distribute them. But it’s still impossible to make money off of services like Spotify and Apple Music until you become a major star a la John Mayer.

What are some of the most important lessons you have learned from your experience in the music paths?

Repetition Legitimizes. Repetition Legitimizes. Repetition Legitimi- You get the gist. Aside from that, learning how to listen and interact onstage turned performing into one of the most enjoyable aspects of my life.

What is the impact of music on the socio-cultural implications? How do you want to affect people?

I want to be accessible before I can put out a message. Music at its core is entertainment. Can it be political, or emotional, or tell hard truths? Yes! But before I personally get on the soapbox, I’d like a crowd to hear me speak.

Let’s take a trip with a time machine, so where and why would you really want to go for a whole day?

Sometime in 1950’s or 60’s or 70’s, right in midtown Manhattan. I just want to see all those Jazz and Blues clubs cause they all shut down before I was even born!

Interview by Michael Limnios / Photos by Jack Frisch)

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All images & transcripts are of Fair Use and copyright to their respected & collective owners. Some images copyright AP,